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Tarantula, by bob dylan
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- Sales Rank: #6645359 in Books
- Published on: 1971
- Number of items: 1
- Binding: Paperback
Most helpful customer reviews
0 of 0 people found the following review helpful.
tangled up in words
By jean
it is what it is. like another reviewer said "only dylan can explain this" you can either read deep into his thoughts or think it is mostly rambling. it's really all in the reader's experience. the fact that we can even get a personal glimpse into his mind have this in our possession is great.
1 of 1 people found the following review helpful.
Four Stars
By Amazon Customer
Absurd at all times, but still somehow entertaining. It's not fiction, it's more of poetry.
14 of 15 people found the following review helpful.
Essential for Dylan fans
By Bill R. Moore
Dylanophiles have long tired of (..) literary critics saying that Dylan is "not really a poet; this book does something to put the lie to the accusation. It IS poetry, though not in the "conventional" sense. The majority of the book is written in a style of prose poem/poem/prose poem (repeating the cycle for however long the poem is), and then closing the piece with a written letter signed by some character from Dylan's imagination. As you may have surmised, the prose poems are of the type that Dylan wrote for the linear notes to Bringing It All Back Home and Highway 61 Revisited. And yes, the poems are in the style of the poems that Dylan wrote for The Times They Are A-Changin' and Another Side. Precious little of it is literal; it is almost wholly written in the rambling, seeming stream-of-consciousness style that Dylan introduced in the aforementioned prose poems. He was highly into writing allegerical fables at that time, and this book abounds in them. Dylan fans will certainly enjoy this book a lot. It gives a peak into his creativity and writing process like nothing else really does. This is Dylan unpolished, not buried beneath the stream of re-writes that produced such masterpieces as "Visions of Johanna." There are references to many of his songs and lyrics within the poetry - whether this came from those, or vice versa, is anyone's guess, but it's a fascinating glimpse into Dylan in any case. You can get something out of these poems. They are fun to read, and have a quick, rolling meter and cadence that all of Dylan's poetic works seem to have, and this makes for interesting and thought-provoking seat-of-the-pants reading. Dylan fans will revel in it. Probably, those who are not already taken with the author will not be converted by this book. This book is actually a less-than-stellar book in the eyes of many (admittedly, by Dylan himself, who held off publishing it for 5 years), and, though interesting and thought-provoking, it is a very ornate and abstract work, without also offering the insights into life that his lyrics have always offered. So the merits of this book for those who are not already Dylan fans is questionable. On the other hand, it is certainly essential for Dylanophiles, and it certainly is a further contribution from Dylan to the field of poetry, and a more legitimate one in the eyes of many. Here's hoping that it helps Bob win the Nobel Prize for Literature that he so geniunely and truly deserves. It is not a cultural opinion, but indeed a fact, that Dylan did more for poetry than anyone else in the 20th century - at least in the sense of bringing it to the masses. And he certainly re-defined popular music as we know it. This book is a further gem in his canon, and helps show a small part of the reason for why Dylan means so much to so many different people.
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